Editor’s Welcome

By Luke Jefferies

Welcome to The Stump.  This Magazine aims to examine the school from a number of different angles and supply the students with information which they will benefit from both intellectually and socially, while also outlining key events and issues noteworthy of recognition.

We live in an age of information overload where essential stories are lost and forgotten about and, while the school’s website and internal intranet cover some of these stories, we feel the critical articles are lost.

We look for context, plain, simple and incredible stories and we aim to bring them to one place where they are all easily accessible.  We promise to offer compelling, original reporting combined with journalism about the people and the family that is the school.

The Stump will contextualize and bring perspective to issues we feel the school should be aware of, whilst also providing a more comprehensive overview of what goes on inside the school.

We would like The Stump to encompass a wide range of potential viewers, ages and interests, this magazine will not be specialized so it can include a varied range of topics, from the controversial to political, and focus on sporting to academic accomplishments.

Through the use of this site, we hope the viewer will assemble the tools necessary to develop a more comprehensive and informed perspective of Colston’s and aspects of school life.

Agony Aunt

By Bobby Marsh

Hi. I have a lump that I’m quite concerned about. I’m worried boys won’t want to kiss me as it’s under my nose, please help!

Dealing with spots can be a real pain, but lumps? They’re a whole different issue. If there’s puss, infection or funky coloured juices you need to see a GP asap! However, your everyday zit: pop it. Always pop it.

In terms of your anxiety over boys being repulsed by you, I would suggest either covering it in your thickest make-up, or accepting the fact that for a couple of days a few shallow boys might not want to kiss you. Don’t be thirsty.

I’ve fallen in love with my Spanish Teacher, what should I do?

I think this is illegal? Resist temptation, find a girlfriend and take a cold shower.

I am coming to the age now where I have opportunities to drink every weekend. I go in with the intention of not drinking but then people call me boring. How do I get the right balance between not drinking and still seeming exciting?

Firstly, being able to recognise that a balance is needed is a great start. I would recommend selecting the better social events and only drinking at those. Secondly, meeting up with the same group of friends and drinking each weekend is not necessary. In fact, by making these events rarer they will probably be more enjoyable and you will remain a light weight drinker- this is cheaper therefore better. Try to have fun sober and don’t let it hinder a good night!

How should I lose weight?

Eat less, run more.

I think my boyfriend is cheating on me, how should I approach the sitch?

Knowledge is power. In my opinion, the best way to approach this problem would be to investigate and internet stalk the accused (much can be revealed through a person’s twitter favourites). Ask your friends to help you and try and clear up any suspicion. Remember, confronting your partner about this issue might solve all your doubts as well!

Brief History of Colston’s Rugby

The school has a distinguished worldwide reputation for its sensational record in rugby. With Alan Martinovic being the coach, the team has managed to win the Daily Mail Cup at U18 level seven times, including six years in a row between 1995 and 2000, before withdrawing from the competition. It is notable that the Headmaster, David Crawford, said that the reason for the school withdrawing from the competition was due to the establishment of the new regulations. Furthermore, the fact that the new regulations were introduced in the first instance suggests that they were a response to the practice of some schools of bringing individuals into their 6th Forms mainly to represent those schools at rugby, and Colston’s was a prime focus of those concerns.

Andy Robinson (Former England and Bath flanker) supported Mr Martinovic for the first two cup triumphs. Colston’s re-entered the competition for the 2003/2004 season, when the school succeeded for an unusual seventh time. In August 2005, Mr Martinovic handed the team to Darryl Peterson and resigned.

The school has developed lots of international players such as: Olly Barkley, Duncan Bell, Tom Varndell and Lee Mears (all England); Andy Lloyd and Gareth Delve (both Wales) and, in the less recent past , Alan Morley MBE (England and British and Irish Lions) who is the current world record holder for tries scored in first class rugby.

From 1994, Colston’s had an unbeaten home run against other England teams; however, in 2008 we were defeated by Hartpury College.

Since 2006, the school has over a dozen old boys playing in the Guinness Premiership, with even more playing in National Division One and other National Divisions such as the Celtic league.

In March 2006, Colston’s created history by becoming the first school to win both boys’ and girls’ senior tournaments at the Rosslyn Park Schools’ Sevens Tournament back in March 2006, and managed to defend both trophies in 2007.

Interview with Green Party Coordinator

By Joshua Callaway

The political structure for our nation has never been less defined, as a conflicting array of parties, policies and intentions arise with the seemingly sole intention to confuse. So, what are the facts about modern politics and how can an increasingly distant political system still affect many aspects of our day-to-day lives? I spoke to the National Green Party coordinator, Chris Luffingham, to clarify some of these questions, among others.

Chris and I sat in the library on one of those mornings in which it seems the entire school had endeavoured to do the same. I was immediately struck by how far he seemed to embody the very stereotype of the environmentalist; an ecologically-concerned individual, with unshaven beard and ragged clothes, but nevertheless, in the interest of neutrality, I suppressed any personal political affliction and set about the interview. He, from the outset, seemed to express his concern at the lack of youth taking up interest in politics on both a local and national scale. He, as campaign and advertising coordinator, was responsible for ‘enticing’ new membership, and hence he was keen to emphasise the relative growth of 12,000 members from February to November 2013, which he duly attributed to the recent social media initiatives undertaken by the Green Party. A theme that became prominent throughout was one of perseverance, and he encouraged young people, of any political ability or conviction, to get involved in any way they could, citing that healthy political competition was the catalyst required to kick-start our stagnated system.

Our topic of discussion then somewhat veered unexpectedly towards the nature of the Green Party itself. I, in the naïve role that I am sure many of you too occupy, seemed to associate the Green Party as an environmentalist protest against badger culls and fracking and nothing further; however, the subsequent few minutes were to change all that. Chris portrayed a more diverse political approach that encompassed all aspects of society. In terms of economy, I was surprised to learn of Green Party involvement in the formulation of mansion tax legislation. That old saying: ‘Do not judge a book by its cover’ was no more applicable in this situation for, even I, in my resolute and somewhat stubborn conservative ways, was intrigued by some of the less well known areas of the party, and how they intend to consolidate their increasing success.

The limelight is very much shifting in the political world: the Green Party securing a parliamentary seat in the last election is testament to this very fact. Hence, it will be incredibly interesting how our generation begins to interact and involve itself with new and dynamic ideas.

One Small Step for Mankind, One Giant Leap for Man

By Luke Jefferies

On July 20th, 1969, humanity was changed forever.  In spite of everything awful humanity has perpetrated on itself, this was the day everyone took a step back and realised we are ultimately part of something much bigger.  Since that day, the biggest question we have constantly been asking is, what’s next?

2033 is the estimated year for when the first manned mission to Mars will take place.  Also, in October this year, the BBC released footage from NASA explaining that a 13 year old girl, Alyssa Carson, who has already been in training for 9 years is ‘determined to be the first person on the red planet’ and that she may never come back.  The teenager from Baton Rouge, Louisiana, says failure is not an option, a confident attitude that drives the highest achievers of our society, and that she has the next 20 years of her life already planned out.

The mission itself aims, not only to put man on Mars, but to begin terraforming and colonising the planet by successively taking a crew up every 2 years afterwards.  Nonetheless, it took 11 tries to get man onto the moon as Apollo 1-10 were test missions with 11 being the landing in the Sea of Tranquillity, and even then it wasn’t without fault as various structural and navigational errors meant it nearly caused a fatal crash. The margin for error getting to Mars will be much smaller and accordingly, the tests that need to be carried out will need to be increased exponentially for a chance of success.  An ambitious dream, nevertheless, not just for Alyssa.

Since the moon landing, journeying to another planet has consequently been the foremost subject of science fiction, but is this dream clouding our judgement of reality?  We need to learn from the mistakes of the past.  This mission could transform the outlook on our way of living, not just our scientific understanding, but could this colossal venture take humanity on a path that is inevitably doomed to fail?

Uniform?

By James Evans

Here comes the final nail in the coffin of creativity, the last call for independent thought, the dying light of a generation’s freedom of expression.  We are always told to dress the same, to be the same and never be ourselves. Is this perhaps the easiest way to keep us down?

This is why throughout our lives we are told by those above us to conform to their ideals of how we should dress. They do this as it’s the easiest way to remove dissidence, destroy personal opinion and saddle us with the same clothes and the same hair. This is because when you look exactly the same as everyone else you begin to feel as if we are identical and without a voice. When you feel like everyone is the same, you become scared that you will be ridiculed if you look/feel different so you don’t speak out or fight for what is right because you will look uncool.

They tell us that it’s for our own good but is that really true? Does the added pressure of living up to their standards help us in the long run? NO. All it does is add fear onto our long list of worries for the day!

So please just stop, it brings us no benefit because we are constantly fearful that we shall be shouted at, or we are angry that we are being oppressed by people who are meant to have our best interests at heart.

No one in the entire world cares if my nail varnish is red or my bra strap is showing; there are much bigger things to be thinking about. That’s right; no one cares except the people who feel like they have to enforce these rules. Consequently, it is also making them angry that we aren’t listening.

Why should we listen? When we ask why they are enforcing these rules we are given hollow remarks about how it’s ‘business dress’ and that we should listen no matter what our individual feelings are.

There is a middle ground however; we should have uniform because there are definite benefits to the system. Yet they need to be more relaxed with us so that we are able to keep our individual identity and our sanity.

Gray Mountain – John Grisham

By Annabel Hill

Gray Mountain is John Grisham’s latest book and was released 23rd October 2014. It has, as far as I can ascertain, been released as a stand alone novel. It is also considered an ‘issue’ book, meaning it will deal with a problem that the author thinks should be brought to the attention of the general public.

The story starts with Samantha, the leading protagonist, being effectively fired from her job due to her company’s loss of business as a result of the 2008 recession. However, instead of being out right fired, she is told that she can have a year’s health insurance and there’s the vague promise that she could get her job back if the economy stabilises by the end of the year. This though is conditional upon her taking a job as an unpaid intern at a legal aid clinic. She is sent a list from Human Resources of clinics that have been selected as possible places for her to go, with a note saying to apply now as the places may get filled up. For some unknown reason, all these legal aid clinics are states away from New York; this is either to try and imply New York has no legal aid clinics or that they accept that an unpaid legal intern has no hope of being able to afford a place to live or anything else in New York. Either way, the main point is that Samantha has to travel far away from the sophisticated and cosmopolitan city of New York to a remote ‘backwards’ town/village. Eventually, she chooses the Mountain Legal Aid Clinic located in Brady, Virginia. The book then focuses on her slowly adapting to life in rural Virginia, and sometimes prodding the big bad coal companies with a stick.

One of the few good parts of this book is the way the settings are depicted. The atmosphere of the recession is well created and helps you to empathise with Samantha and her colleagues. The vivid beauty of the Appalachian Mountains and their horrific destruction is also very emotively described.

However, there are a number of flaws with this novel. Firstly, it seems to be trying to win some sort of record for number of John Grisham tropes that can be shoehorned into one novel. A few that I managed to pick out, off the top of my head are: ridiculously attractive female; phone tapping, goons trailing and threatening the protagonists; bad company doing bad/unethical things; damaging internal memos that are clear evidence of illegal activity and end up in the protagonists’ hands; lawyer in a large Wall-Street-esque firm trading it in to go help real people in a small less profitable firm, etc. This cramming in of tropes that were already overused before this book makes it repetitive and dull for people who’ve read his other books, but they also make it too unfocused and messy. It doesn’t help that all of the above tropes (with the exception of the attractive females, because that’s always been unnecessary, not to mention completely unrealistic) have been done far better in his other books, mostly because Grisham just focused on one of them. For instance, “The Rainmaker“, which I believe to be possibly his best book, focuses solely on an unethical company and uses their internal memos against them and does it extremely well. Granted, it also has an attractive female character in it, but frankly that has become so ubiquitous in his books it may as well be considered a secondary signature.

Also, there are too many different plot treads that are intermittently dropped and picked up through-out the novel, which creates a very disjoined and uneven pace. The lack of a cohesive and structured order to the book makes it very tiresome to read and hard to remain invested in. Of course, as this is classed as an ‘issue’ novel, the multiple plot lines may be a result of the author trying to show as many problems with the mining companies as possible. While that may be commendable goal, Grisham has clearly overreached himself and, had he restricted himself to fewer plot lines, the book would have been a lot less cluttered and on the whole a better novel.

A clear example of this is the competition between two and a debatable third plot line for the title of ‘main case’. The first is Krull Mining, a company which has been dumping carcinogenic pollutants into the local area. The other case is Casper-Slate which is proven to have hidden medical reports. The debatable third case is that of the Lisa Tate, whose children were killed. None of these cases ever achieve enough sustained prominence to be considered the main case in the novel. The thing is that each of these cases have the potential to be very strong plots; and really deserve a book each, and would, generally speaking, make a good trilogy. However instead they are all crammed into one book, which despite being over 360 pages long, really isn’t long enough to give each case the attention and time it deserves. This leads very nicely on to the biggest problem with this book.

Gray Mountain has no ending; the book just stops. Now, as mentioned before, there has been no report of a sequel to this book, so by rights it should be judged as a stand alone novel, and indeed you read it believing it is one. Yet, nothing is resolved by the end other than a few minor plot points that were dealt with in the start and middle. Oh and Samantha decides whether she’ll stay in Virginia or return to New York, a question which by the way, if you have read any other Grisham novels or know what his thoughts are on lawyers, you already know the answer to. The Krull mining case fades out in the penultimate chapter, at the stage it really should be at in the middle of the book. Casper-Slate is not mentioned at all and really hasn’t been since its abrupt abandonment part way through the novel, and the Tate case is left with the distant promise of later appeal work. It is abundantly clear that a sequel should have been announced for this book, or at the very least an epilogue written and added to the back pages.

To conclude then, “Gray Mountain” is a book that people who haven’t read many Grisham books will probably enjoy, at least more than people who have read most of them. That said, if you haven’t read the majority of his novels, you’d be far better off reading some of his other books which, from the ones I’ve read, are universally better than this one. If you have read most of his lawyer ones then, odds are, you’ll find it predictable, boring and ultimately a waste of your time.

2014 Year 11 Play Review

By Hanna Gardner

Held within the Harry Crook Theatre on a miserable November night, my senses were truly awakened by a stunning display of Artaudian theatre. In other words: the assault of an audience’s senses and the illumination of the unexpressed emotions of the subconscious. Revolving around the life of the practitioner, theorist, actor and playwright himself, the Year 11 Drama students embodied the psychologies of Artaud through a powerful ensemble production: ‘The Heart of the Shaman’.

The performance was staged in a predominantly ‘end on’ approach; however steps to two raised levels coated in red velvet above the audience surrounded the sides of the seating area in action. This is one of Artaud’s key concepts that seep into various elements of Colston’s drama.

The students researched and formulated a script supported by the direction of Stephen Pritchard and Craig Pullen. From his birth through to his death, the students devised small ensemble pieces focusing on elements of Artaud’s life, such as the writing and performing of his first play: ‘Jet of Blood’ and his admission into a mental asylum.

Fluctuating between the sheer absurdities of Artaud as a person and the deeply sobering elements of his ‘Theatre of Cruelty’, highlighted in several of his writings including his Mannifestos, the students consciously and successfully encompassed the dynamic elements of this style within their work.

In particular, voices were used in the most extraordinary of ways; pushing vocal cords to the limit. The beautiful solo voice of Zara Jagroo and chords with the whole company moved the sound of the performance from harmony to dissonance, complementing the unsettling elements Artaud’s life. Similarly, the technical elements were spectacular and assisted in both informing and shocking the audience.

As it is Stephen Pritchard’s last year at Colston’s, Old Colstonians from across the globe travelled to be blown away by the staggering technicalities of this play. Personally, I feel that this production has excellently pinpointed and focused upon what ‘Colston’s drama’ is, which seems to have developed its own definition over the years.

The Hunger Games: Mockingjay Part 1 Review

By Arran Taylor

Those dedicated fans who read all the books in The Hunger Games series need no further reason to see Mockingjay Part 1 in cinemas. The only question relating to them is, will they see it within the next few weeks and help break all former records this box office powerhouse has shattered. To all other interested parties, rest assured, Mockingjay Part 1 is WELL worth the time.

While it doesn’t pack the excitement or suspense specific to the games themselves, it is no less fascinating or compelling to watch. Some might argue more so, even given its obvious position as a set-up for the inevitable Capitol and District rebellion’s final confrontation in Part 2.

Mockingjay Part 1 allows its stars time and room to explore their characters in all their damage, motivation, and spirit to change their world and their current positions. Those who have become fans of the franchise have watched Jennifer Lawrence become a household name and rise to the top in Hollywood, and for good reason of course! Here, Lawrence’s character, Katniss, is in a position where she must experience the rising panic and struggle to maintain sanity inherent to post traumatic stress disorder.

Philip Seymour Hoffman as Plutarch Heavensbee, which from the first was a genius stroke of casting by all means, is without question one of the highlights of the film. Although Hoffman’s Heavensbee does not flash with much flamboyance, the portrayal is one filled with the subtle difference for which Hoffman has been known.

Obviously, I don’t want to spoil you too much, unless of course you’ve read the books, which I assume most of you have, so I’ll conclude a 4/5 for Part 1: a definite must see. Just see for yourself the gold that is The Hunger Games: Mockingjay Part 1.